
DISSERTATION | MARCH 2022
#NotYourMammy
Study
March 2022 marked the beginning of the data collection for my dissertation project - the #NotYourMammyStudy (IRB #: 22-040). It felt surreal to share my ideas, perspectives, and aspirations for Black women in American academia with folks outside of my committee members and support network. I am supremely lucky to have worked with 27 other incredibly generous, vulnerable, and vibrant Black women in American academia. They are my sistren.
To my participants - my sistren - thank you for making this work possible.
I am proud to share that in April 2023, I successfully defended my dissertation - #NotYourMammy: Explicating the Experiences of Black Women Graduate Students as Learners and Laborers in American Academia" - with high distinction and no revisions 💅🏾
The Focus
The Focus
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What was the Focus of #NotYourMammyStudy ?
I explored the ways Black women are expected to engage in affective work – the production of feelings or affects that ameliorate the needs/expectations of others – with a consideration of how such expectations are shaped by dimensions of racism and sexism specifically in the larger socio-historical context of higher education.
I am proud to offer work that is not a polemical diatribe rooted in identity politics, but an incisive critique of the structures of exploitation within American academia and an interrogation of how Black women graduate students enact their own agency throughout the process of degree completion.
As these institutions constantly measure us against the colonial archetype of the conciliatory mammy figure - the "normative yardstick" that dictates who and what a palatable Black woman should be - I leaned into a politic of refusal in stating that Black women, as emerging and seasoned intellectuals, are not our institution's mammies (Collins, 1990, p. 71).
Who Participated?
Through heavy social media recruitment, I connected with other Black women graduate students (18 + yrs. old) enrolled in a terminal advanced degree program OR recent graduates (within the last three yrs.) at a White Serving Institution (WSI) in the United States of America.
A terminal advanced degree includes, but are not limited to, a Doctor of Education (Ed.D.), Juris Doctorate (J.D.), Master of Divinity (MDiv), Master of Fine Arts (MFA), and a Doctor of Philosophy (Ph.D.), etc.
How Do You Define "Black Women"?
There is no one all-encompassing definition of Blackness or womanhood. My framing of inclusion criteria meant that participants must self-identify as “Black” (which is inclusive of monoracial, multiracial, biracial, non-White/Anglo-Saxon community members who identify as "Black” or “African American”).
This spectrum of non-Anglo Saxon "Black” honors the richness of Pan-African identities as "Black" is not synonymous with "African American".
Participants must also identify along the spectrum of “woman” as their gender identity. I referred to my target community as "Black women graduate students" and refrained from "female" to also honor the varied and multifaceted dimensions of what it means to identify as a woman and experience the pressures of misogyn
What Do You Mean by "spectrum of 'women'"?
I truly believe that there is no one definition of womanhood or gender - which in and of itself, is a social construct. Our sex chromosomes do not hold a causal relationship to how we experience gender and gender norms.
I am deeply grateful to have connected with participants who self-identified as a “woman” and/or with the myriad of ways misogyny impacts women and non-binary folks. My framing of Black womanhood is inclusive of folks who identify along the gender expansive spectrum of “woman” or “femme” regardless of sex assigned at birth. #TransWomenAreWomen.
The Work
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What Were Participants Asked to Do?
Interested participants were asked to engage in one (1) virtual conversational interview and one (1) virtual talk back session - both of which were ranged from one (1) hour to two (2) hours.
After completing all initial interviews with participants, I hosted virtual "talk back" sessions (one hour) to share initial findings, catch up/connect, as well as explore creative resources and activities. Participants also received access to the #NotYourMammyStudy private Discord (invitation only).
Talk back sessions are inspired by bell hook's Talking Back: Thinking Feminist, Thinking Black - as a figurative space to talk back to the web of misogynoir that permeates our education journeys as siblings in the struggle; I hope talk back sessions help "to define and determine alternative standards, to decide on the nature and extent of compromise" as we work towards crossing the graduation stage (hooks, 1989, p. 80).
How Did Participants Connect with Me?
Thank you for your interest in my dissertation research! I facilitated this project during the uncertain and tenuous times if the (ongoing) COVID-19 global health pandemic. Given my interest in working with folks across the United States of America, I relied heavily on social media platforms to recruit interested participants. Huge shoutouts to Facebook pages, Instagram, Twitter, and TikTok (the latter of which came in during the end of the writing phase and offered opportunities to form friendships with other Black women who stumbled upon my random short-form videos on my work!)
If you'd like to learn about how this project is progressing, initial findings, or anything in between, check out 'The Threads' below.
If you have any questions, you can always reach out to me via email at kristian@beyondmarginality.com
Kristian Contreras, PhD
Notes from my sistren in the struggle; thank you for your fierce vulnerability and kinship.
We are more than what the academy dictates for us. May we move forward, planting more gardens with seeds of triumph, refusal, reclamation, healing, and the joy that lay at the foundation of #BlackGirlMagic.
The Threads
The Threads
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WEAVING TOGETHER
The #NotYourMammyStudy might be my dissertation project - the culminating work of completing the Ph.D. - but it is also an exercise in community and feminist solidarity. I connected with 27 other co-conspirators, dancers intellectuals, creatives, mothers, healing fighters, and curious dreamers. Including myself, 28 Black women in total participated in the #NotYourMammyStudy. This project is a weaving of all of our threads that bind us together in a most beautiful tapestry of possibility.
As I moved into the writing of this dissertation. I remained committed to honoring our shared vulnerabilities, staunch refusal when it comes to the exploitation of our labor, the murkiness of not knowing when to speak up or stay silent, and the in-between "aha" moments that help us each get to the finish line. Here are some of the common threads that feel the most vibrant.
Sistren in the Struggle
Over the course of two months, I interviewed 28 women and femmes who identify as Black women pursuing a terminal degree in American academia. All participants, including myself, attended or recently graduated from a White Serving Institution (WSI) in the United States of America.
Of this sample, 8 crossed the graduation stage and became doctors by the end of June 2022 🎉✨👩🏾🎓!
This visual illustrates participant's field of study - ranging from my own discipline of education to the arts.
COMMON THREADS
We know that there is no monolith when it comes to the rich community of Black women and non-binary folks. We each experience our Blackness, gender, sexuality, faith, bodies, intimacies, and culture(s) differently. While our socio-political identities as Black women and non-binary people link us, our struggles in American academia as terminal graduate students will always be complicated by the nuances of what it means to traverse this journey in our respective bodies. Here are some interesting shared elements that complicate yet bind our experiences.
75% of participants self-identified as first generation students. They'll be the first in their families to earn an advanced degree.
25% of participants named the importance of previously attending Historically Black colleges and universities (HBCUs), Women's Colleges, and/or programs like Mellon Mays to help in preparing them for the overwhelming Whiteness of the academy.
Developing boundaries, and protecting them, continues to be a major theme in navigating White Serving Institutions (WSIs) - not only as a protective measure but also an avenue for relearning who we are outside of our programs.
100% of participants described a commitment to lifting as they climb - whether that meant widening possibilities for their children, siblings, neighborhood communities, or other Black women looking to cross the graduate stage.
No matter where our journeys began or ended, and the stops along the way - each of my sistren in this project refused the role of the department mammy in one way, shape, or form. For some of us, this refusal was immediate - as axiomatic as breathing - while others, like me, needed time to grow and sharpen their voice so that no became a complete sentence. Throughout this ongoing journey, music and art sustains us. Sometimes it's a f*ck you anthem, a reminder of a higher power, a Megan Thee Stallion-knees type of dance, or a melody that keeps us moving forward. Here are the songs that make up the soundtrack to this season of joy, healing, and being present in our respective lives - curated by participants in the #NotYourMammyStudy
SOUNDTRACK TO THE SEASON
Talk back sessions were virtual hangouts hosted on the private #NotYourMammy Discord server. These one (1) hour hangouts are inspired by bell hook's Talking Back: Thinking Feminist, Thinking Black - as a figurative space to talk back to the web of misogynoir that permeates our education journeys as siblings in the struggle.
Throughout the months of July - August I hosted 6 hangouts to help "define and determine alternative standards, to decide on the nature and extent of compromise" as we each worked towards crossing the graduation stage and refusing the assumption that we'll be our departments' mammies in the process (hooks, 1989, p. 80).
Talk Back Hangouts
#CiteASista
I believe in citing my sources, especially the Black and Brown women who make this project possible. Check out #CiteASista who exemplify what it means to defend Black women in our texts and daily lives. Interested in my reading list? You can explore some of the literature that inspired this project, challenged my thinking, and motivates my work. Check out my reading list here!
Love the artwork featured? All digital illustrations are designed/owned by artist, creative, and inspiration Melissa Koby. You can learn more about her beautiful work (and purchase them) here! Many thanks to the Pinterest algorithm for introducing me to many of her gorgeous pieces.
Interested in all the resources collected during the dissertation journey? Click below to view.